{"id":4345,"date":"2005-12-10T13:22:51","date_gmt":"2005-12-10T17:22:51","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/httpblogslawharvardeduceerock4\/2005\/12\/10\/shocking-silve"},"modified":"2005-12-10T13:22:51","modified_gmt":"2005-12-10T17:22:51","slug":"shocking-silverman","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/ceerock\/2005\/12\/10\/shocking-silverman\/","title":{"rendered":"Shocking Silverman"},"content":{"rendered":"<p><a name='a4032'><\/a><\/p>\n<p>Thanks to <a href=\"http:\/\/www.michaelduff.net\/blog\/2005\/12\/udolpho-on-sarah-silverman.html\">Duff <\/a>for pointing out that at least <a href=\"http:\/\/www.udolpho.com\/weblog\/?id=00839&amp;title=Capsule-reviews\">one other person<\/a><br \/>\nis not impressed with Sara Silverman&#8217;s schtick. I especially agree with<br \/>\nthe observation that there&#8217;s nothing behind her simple shock value:<\/p>\n<div style=\"margin-left: 40px;\"><span style=\"font-style: italic;\">As a comedian doing edgy material she lacks Chris Rock&#8217;s<br \/>\nstamina and energy and is further hindered by the fact that there&#8217;s not<br \/>\nvery much going on behind her jokes beyond the element of surprise.&nbsp; I<br \/>\nleft wanting something a little more.&nbsp; For all the talk of her material<br \/>\nbeing &#8220;transgressive&#8221; (a bullshit artist term) or of it challenging the<br \/>\naudience&#8217;s hypocrisy, there&#8217;s not a trace of either motive to be found<br \/>\nin her act.&nbsp; Much of her stage persona is merely an acknowledgement<br \/>\nthat the standard comedic approach to controversial subjects is no<br \/>\nlonger very fresh or relevant because these subjects have been<br \/>\nendlessly trivialized by sanctimonious PC nags.&nbsp; And therein lies the<br \/>\nappeal &#x2013; generations following the sanctimonious Boomer cohort have<br \/>\ngotten sick of the exquisite sensitivities of the permanently aggrieved<br \/>\nand find some kind of relief in material that tramples on them.<\/span><\/div>\n<div style=\"font-style: italic; margin-left: 40px;\">\n<div>&nbsp;<\/div>\n<p>One thing that does bug me about Silverman is the tendency of pompous<br \/>\nmagazine writers to describe her act as if it is the most outrageously<br \/>\ndaring thing ever conceived.&nbsp; &#8220;Silverman crosses boundaries that it<br \/>\nwould not occur to most people even to have,&#8221; bleats <em>The New Yorker<\/em> in a typically meaningless formulation (re-read it:&nbsp; it is in fact meaningless).&nbsp; If by most people <em>The New Yorker<\/em><br \/>\nmeans the average peasant, then some variation of that bleat could be<br \/>\ntrue, but in that case it would also be true of thousands of other<br \/>\ncomedians today.&nbsp; This of course isn&#8217;t Silverman&#8217;s fault, but it&#8217;s an<br \/>\nassessment that could grow to overshadow her act.&nbsp; Boundary Crossing<br \/>\nGirl is a comedic dead end.<\/div>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks to Duff for pointing out that at least one other person is not impressed with Sara Silverman&#8217;s schtick. I especially agree with the observation that there&#8217;s nothing behind her simple shock value: As a comedian doing edgy material she lacks Chris Rock&#8217;s stamina and energy and is further hindered by the fact that there&#8217;s [&hellip;]<\/p>\n","protected":false},"author":92,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[],"class_list":["post-4345","post","type-post","status-publish","format-standard","hentry"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p58QoK-185","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts\/4345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/users\/92"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/comments?post=4345"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts\/4345\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/media?parent=4345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/categories?post=4345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/tags?post=4345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}