{"id":4179,"date":"2005-05-19T14:23:36","date_gmt":"2005-05-19T18:23:36","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/httpblogslawharvardeduceerock4\/2005\/05\/19\/revisiting-los"},"modified":"2005-05-19T14:23:36","modified_gmt":"2005-05-19T18:23:36","slug":"revisiting-lost-in-translation","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/ceerock\/2005\/05\/19\/revisiting-lost-in-translation\/","title":{"rendered":"Revisiting Lost In Translation"},"content":{"rendered":"<p><a name='a3267'><\/a><\/p>\n<p>Someone landed at my blog on a google search for &#8220;women portrayal lost in translation&#8221; so I checked out what other results were out there, and came across a few that I liked. First <A href=\"http:\/\/www.japantoday.com\/e\/?content=comment&amp;id=546\">this angry Japanese opinion<\/A> of the film, which I agree with, and then this <A href=\"http:\/\/www.michaelduff.net\/blog\/2005\/01\/lost-in-translation_23.html\">Texan&#8217;s angry opinion<\/A> of the film, which I also agree with. And if you want to re-read my opinion of the film, see the link in the sidebar about Scarlett&#8217;s ass.<BR><BR>My friend Serpico also had an angry reaction to the film, but mainly because he dismisses it as an empty a collection of hipster references. And while I agree somewhat, this movie is no <SPAN style=\"FONT-STYLE: italic\">Napoleon Dynamite<\/SPAN>. It is using all those hipster tropes to try to say something, though what it&#8217;s saying may be even more reason to hate the film than its hipster formalism.<BR><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Someone landed at my blog on a google search for &#8220;women portrayal lost in translation&#8221; so I checked out what other results were out there, and came across a few that I liked. First this angry Japanese opinion of the film, which I agree with, and then this Texan&#8217;s angry opinion of the film, which [&hellip;]<\/p>\n","protected":false},"author":92,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[41],"tags":[],"class_list":["post-4179","post","type-post","status-publish","format-standard","hentry","category-just-movies"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p58QoK-15p","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts\/4179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/users\/92"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/comments?post=4179"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts\/4179\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/media?parent=4179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/categories?post=4179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/tags?post=4179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}