{"id":4033,"date":"2005-01-29T10:22:45","date_gmt":"2005-01-29T14:22:45","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/httpblogslawharvardeduceerock4\/2005\/01\/29\/bamboozled-by-"},"modified":"2005-01-29T10:22:45","modified_gmt":"2005-01-29T14:22:45","slug":"bamboozled-by-herzog","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/ceerock\/2005\/01\/29\/bamboozled-by-herzog\/","title":{"rendered":"Bamboozled by Herzog"},"content":{"rendered":"<p><a name='a2762'><\/a><\/p>\n<p>I am glad to hear that Werner Herzog is up to his old tricks. I an eagerly anticipating his new documentary, <i><a target=\"_blank\" href=\"http:\/\/festival.sundance.org\/2005\/filmguide\/popup.aspx?film=5711\">Grizzly Man<\/a><\/i>:<\/p>\n<div style=\"margin-left: 40px; font-style: italic;\">a fascinating character study of Timothy Treadwell, self-appointed<br \/>\ngrizzly bear expert. For thirteen summers, the youthful Treadwell<br \/>\ncamped in the Alaskan wilderness to observe and commune with grizzlies.<br \/>\nHis final year there ended in tragedy when he and girlfriend Amie<br \/>\nHuguenard were attacked and completely devoured by an older, aggressive<br \/>\nbear. Most of the visuals for the film come from Treadwell&#8217;s own video<br \/>\nfootage, shot during his last few excursions. \n<\/div>\n<p>\nHe is a mad Herzogian hero, to be sure:<\/p>\n<div style=\"margin-left: 40px; font-style: italic;\">He comes dangerously<br \/>\nclose to the bears, touching them and swimming with them, all the while<br \/>\nconvinced that his work as a naturalist and lobbyist is helping to<br \/>\npreserve their environment. Unfortunately, we soon come to learn that<br \/>\nwhat Treadwell is filming in the Alaskan wilds is less a nature<br \/>\ndocumentary than a kind of ongoing Crocodile Hunter episode with Treadwell styling himself as a great lone adventurer and<br \/>\nthe only human capable of understanding the creatures around him. His<br \/>\ndisturbed mental state becomes clearer through interviews and Herzog&#8217;s<br \/>\nown voiceover.\n<\/div>\n<p><span style=\"font-style: italic;\"><\/span><\/p>\n<p style=\"margin-left: 40px; font-style: italic;\">Treadwell was a failed actor and alcoholic, rescued in a sense<br \/>\nby the power and individualistic importance that such a reckless<br \/>\nundertaking gave him. The bears saved him from obscurity and addiction,<br \/>\nbut his staying there, against the wishes of the park service, to play<br \/>\nout his own narcissistic fantasies and adamant death wish, was bound to<br \/>\nend in tragedy. His childlike love for the animals around him seems<br \/>\ngenuine, as was his belief that the animal world, though admittedly<br \/>\ndangerous, was somehow more benevolent than that of humans. In reality,<br \/>\nnature is cruel and animals want to survive. \n<\/p>\n<p>You may not know that Herzog has a tendency to fabricate in his<br \/>\ndocumentaries. All docs have some measure of manipulation, but I&#8217;m<br \/>\ntalking about complete fabrication.So I had to smile when I read the following:  \n<\/p>\n<p style=\"margin-left: 40px; font-style: italic;\">The most powerful scene in<br \/>\nthe film comes when Herzog listens to a tape of the attack (the<br \/>\ncamera&#8217;s lens cap was thankfully on during the recording). He agrees<br \/>\nthat, at over six minutes, this is something that the audience should<br \/>\nnot hear.&nbsp;<\/p>\n<p>Hmmm, does it not sound a bit too convenient that Treadwell turned the<br \/>\nsound recording on but left the lens cap on? It could happen, sure, but<br \/>\nHerzog&#8217;s docs are filled with these kinds of scenes of things we have<br \/>\nno way of proving. In <span style=\"font-style: italic;\">Lessons of Darkness<\/span>,<br \/>\nhe shows the image of a young boy who just sits there and looks at the<br \/>\ncamera. On voiceover Herzog tells us that the horrors he witnessed in<br \/>\nthe Gulf War made him lose the ability to speak. And it rings<br \/>\ncompletely false, as does this Grizzly scene. I&#8217;ll bet that when Herzog<br \/>\nis supposedly listening to the tape of the killings, he is in fact<br \/>\nlistening to nothing and grimacing for the camera. <\/p>\n<p>Yes, I wrote my thesis on Herzog&#8217;s documentaries, and I never made up<br \/>\nmy mind about the ethics involved with this kind of fabrication. And<br \/>\napparently the <a href=\"http:\/\/daily.greencine.com\/archives\/000790.html\">Greencine correspondent<\/a> who wrote the review above has some problems with the ethics as well: <\/p>\n<div style=\"margin-left: 40px;\"><span style=\"font-style: italic;\">Surprisingly, the film doesn&#8217;t deal with the ethical issue of<br \/>\nusing Treadwell&#8217;s own footage to make a film that he, undeniably, would<br \/>\nhate.<\/span>\n<\/div>\n<p>\nHerzog&#8217;s docs have never been well-known enough to garner much<br \/>\ncriticism for the ethical problems involved, but this one has a lot of<br \/>\nbuzz at Sundance and now that docs are so popular these days, perhaps<br \/>\nthey will come under greater scrutiny. Not that he&#8217;ll care, of course.<br \/>\nHe <a href=\"http:\/\/www.wernerherzog.com\/main\/de\/html\/news\/Minnesota_Declaration.htm\">freely admits<\/a> to the manipulations and fabrications:<\/p>\n<div style=\"margin-left: 40px;\"><span style=\"font-style: italic;\">&#8220;By dint of declaration the so-called Cinema Verit<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am glad to hear that Werner Herzog is up to his old tricks. I an eagerly anticipating his new documentary, Grizzly Man: a fascinating character study of Timothy Treadwell, self-appointed grizzly bear expert. For thirteen summers, the youthful Treadwell camped in the Alaskan wilderness to observe and commune with grizzlies. His final year there [&hellip;]<\/p>\n","protected":false},"author":92,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[],"class_list":["post-4033","post","type-post","status-publish","format-standard","hentry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p58QoK-133","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts\/4033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/users\/92"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/comments?post=4033"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/posts\/4033\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/media?parent=4033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/categories?post=4033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ceerock\/wp-json\/wp\/v2\/tags?post=4033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}